Even if you were there, you can;t have seen as much as Ewan Spence: if it’s good, he’s covered it with on-the-spot interviews.

I love the fact that it’s pitched as a catch-up service, almost a Fringe+1 (which seems in vouge in TV land at the moment) and is listed after the Fringe is all over, but of course all the Fringe podcasts are archived, so you can relive the month whenever you like. (Thanks to Scott at The Stage for picking up the mention and snapping a pic; and he also points out the other two podcasts are from a Radio Times writer, and the BBC themselves, so I’m the single indie).

Edinburgh Fringe Podcast, #24 in iTunes (click for full screen)

So a big thank you to everyone who’s helping with the pdocast, including The Stagec, Comedy365, Broadway Baby, and all you listeners out there in MP3 land. Now, one more little favour - if you have subscribed in iTunes, why not consider leaving a review of the podcast with Apple?

Update: Make that #14…

For example, in The Times, the podcast was listed as “The Best Edinburgh Fringe Podcast:”

Produced in association with The Stage and The Podcast Network, last year’s Edinburgh Fringe show podcast was so good that it was nominated for a Scottish Bafta [Actually for the 2005 Run, but what's a year between the British Acadamey and me - Ewan]. This year it returns under the auspices of Ewan Spence, who will report live in a daily 30-minute show running throughout the four weeks of the Fringe. It will contain “interviews, reviews and gossip from the funniest festival in the world”. Also promised are colour pieces and some audio tours around the city all produced in a specially created “mobile studio.”

There’s also a long form interview piece in the current Podcast User Magazine (Issue #19) which is worth reading - and the rest of the magazine as well!

What Prompted You To Cover The Fringe?
The first one was back in 2005. I’d just moved back to Edinburgh from London. The Fringe was there, and I went, “Yeah , let’s do it!” …There was also the fact that it hadn’t been done before. And, part of it was the challenge. I think the big part was, can one man take an event as large as that, cover it, report it, present it, be entertaining about it, to make people want to listen to a show about it?

What Is Your Target Audience For The Podcast?
There are two goals. If you are at the Fringe, it’s like having a backstage pass. And if you’re not at the Fringe, it’s going to make you jealous as anything. And I can get those two goals out, I know I’ve got a good show.

Praise both from inside the circle of podcasters, and from the external big boys of traditional media. Lovely! Now let’s see how well I survive August. expect the first full show within 24 hours

Which means one of my favourite shows last year “Bill Hicks: Slight Return” (and I interviewed the star and produced Chas Early for last year’s Fringe cast) will not be allowed to light up. Words fail me…

Link: The Scotsman.
Link: Bill Hicks: Slight Return in the EdFringe.com program.

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I’m tempted to tell them that the less they push their acts on me the more I am likely to go and see them, but I worry that this kind of response might not compute and make them explode and I couldn’t have that on my conscience, so instead if they corner me I politely scribble their gig details and hope they will go away

More at Bruce’s FestBuzz site.

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Edit: I have since found 2 extra sites that have lots of free WiFi nodes around the city, so now you have no excuse to not download the Edinburgh Fringe show wherever you are! They are NodeDB and Consume. By the looks of it, most are free to access (but if some are in pubs and resturants, please don’t abuse access and at least buy a pint!)

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