[Review] Close Up Theatre: A Day in the Death of Joe Egg
The dark comedy of this play, which deals with the hardships of raising a disabled child, is wonderfully brought to life in this production by an exceptional young cast. Of particular note is Jeremy Smith’s confident performance as Brian, which shows a maturity well beyond his years. Comic timing is essential in this role and Smith’s is perfect, as Brian laughs to escape his tragic existence. His wife and friends deem his humour as ‘sick’, but Smith’s performance makes Brian’s coping mechanism seem the only sane option.
Equally under strain, and equally impressive in performance terms, is Brian’s wife Sheila (Emily Stanley), whose natural and entirely unaffected delivery creates the perfect pacing for Smith’s comedy. With this duo at the helm the role-plays retelling Joe’s difficult infancy are effortlessly performed and truly a delight to watch.
It is hard to go far wrong with such a wonderful script. Peter Nichols’ writing is poignant in its portrait of a family under strain, whilst being provocative in its investigations of wider attitudes towards disability and the taboos which still exist. Despite a few minor outdated references, this play is capable of delivering laughter and heartache in equal measure with every performance.
Fortunately this cast are up to the task of such a demanding play. Indeed Natalie de Rose’s physical performance as the wheelchair-bound Joe cannot be overlooked: in the most challenging role of the play, de Rose’s portrayal is accurate, consistent and highly moving. With such strong performances in its favour and the undeniable quality of its script, this production deserves to draw a crowd – audiences will not be disappointed.
Who: Close Up Theatre: A Day in the Death of Joe Egg
Where: Greenside Theatre
When: 16:20-18:20; 22nd, 24th, 26th, 28th August
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